BEST PICTURE

“Ford v Ferrari,” 

“The Irishman,” 

“Jojo Rabbit,” 

“Joker,” 

“Little Women,” 

“Marriage Story,” 

“1917,”

“Once Upon a Time … in Hollywood,” 

“Parasite” (Pictured)

Neon

BEST DIRECTOR

Bong Joon Ho, “Parasite,” 

Todd Phillips, “Joker,” 

Sam Mendes, “1917,” 

Martin Scorsese, “The Irishman” (Pictured), 

Quentin Tarantino, “Once Upon a Time … in Hollywood” 

Netflix

BEST ACTOR

Antonio Banderas, “Pain and Glory,” 

Leonardo DiCaprio, “Once Upon a Time … in Hollywood,” 

Adam Driver, “Marriage Story,”

Joaquin Phoenix, “Joker,” (Pictured)

Jonathan Pryce, “The Two Popes”

Warner Bros.

BEST ACTRESS

Cynthia Erivo, “Harriet,” 

Scarlett Johansson, “Marriage Story,” 

Saoirse Ronan, “Little Women,” 

Charlize Theron, “Bombshell,” 

Renée Zellweger, “Judy” (pictured)

Roadside Attractions/LD Entertainment

BEST SUPPORTING ACTOR

Tom Hanks, “A Beautiful Day in the Neighborhood”

Anthony Hopkins, “The Two Popes”

Al Pacino, “The Irishman” 

Joe Pesci, “The Irishman” 

Brad Pitt, “Once Upon a Time … in Hollywood” (pictured)

Sony Pictures

BEST SUPPORTING ACTRESS

Kathy Bates, “Richard Jewell”  (pictured),

Laura Dern, “Marriage Story,” 

Scarlett Johansson, “Jojo Rabbit,” 

Florence Pugh, “Little Women,” 

Margot Robbie, “Bombshell”

STXfilms

BEST ORIGINAL SCREENPLAY

“Knives Out,” 

“Marriage Story” (pictured), 

“1917,” 

“Once Upon a Time… in Hollywood,” 

“Parasite”

Netflix

BEST ADAPTED SCREENPLAY

“The Irishman,” 

“Jojo Rabbit,” 

“Joker,” 

“Little Women,” 

“The Two Popes” (pictured)

Peter Mountain/Netflix

BEST CINEMATOGRAPHY

“The Irishman,” 

“Joker,”

“The Lighthouse” (pictured), 

“1917,” 

“Once Upon a Time in Hollywood” 

A24/Photo by Eric Chakeen

BEST FILM EDITING

“Ford v Ferrari,” 

“The Irishman,” 

“Jojo Rabbit,” 

“Joker,” 

“Parasite”

Netflix

BEST COSTUME DESIGN

“The Irishman,” 

“Jojo Rabbit,” 

“Joker,” 

“Little Women” (pictured), 

“Once Upon a Time in Hollywood”

Sony

BEST MAKEUP AND HAIRSTYLING

“Bombshell” (pictured) 

“Joker,” 

“Judy,” 

“Maleficent: Mistress of Evil,” 

“1917”

Lionsgate

BEST ORIGINAL SCORE

“Joker,” 

“Little Women” (pictured), 

“Marriage Story,” 

“1917,” 

“Star Wars: The Rise of Skywalker”

Fox Searchlight

BEST ORIGINAL SONG

“I Can’t Let You Throw Yourself Away” from “Toy Story 4,” 

“Into the Unknown” from “Frozen II” (pictured), 

“(I’m Gonna) Love Me Again” from “Rocketman,”

“I’m Standing With You,” “Breakthrough,” 

“Stand Up” from “Harriet”

Disney

BEST PRODUCTION DESIGN

“The Irishman,” 

“Jojo Rabbit,” 

“1917” (pictured, Dennis Gassner), 

“Once Upon a Time … in Hollywood,” 

“Parasite”

Universal

BEST SOUND EDITING

“Ford v Ferrari,” 

“Joker,” 

“1917,”

“Once Upon a Time … in Hollywood,” 

“Star Wars: The Rise of Skywalker” (pictured)

Walt Disney Studios

BEST SOUND MIXING

“Ad Astra” (pictured) 

“Ford v Ferrari,”

“Joker,” 

“1917,” 

“Once Upon a Time in Hollywood”

20th Century Fox

BEST VISUAL EFFECTS

“Avengers: Endgame,” 

“The Irishman,”

“The Lion King” (pictured), 

“1917,” 

“Star Wars: The Rise of Skywalker”

Disney

BEST INTERNATIONAL FILM

“Corpus Christi,” Poland 

“Honeyland,” North Macedonia 

“Les Misérables,” France 

“Pain and Glory,” Spain (pictured) 

“Parasite,” South Korea

Sony Pictures Classics

BEST ANIMATED FEATURE

“How to Train Your Dragon: The Hidden World,” 

“I Lost My Body,” 

“Klaus,” 

“Missing Link,” 

“Toy Story 4” (pictured)

Disney-Pixar

BEST ANIMATED SHORT

“Dcera (Daughter),” 

“Hair Love,” 

“Kitbull” (pictured) 

“Memorable” 

“Sister”

Pixar

BEST DOCUMENTARY FEATURE

“American Factory,” 

“The Cave” (pictured), 

“The Edge of Democracy,” 

“For Sama,” 

“Honeyland” 

Nat Geo

BEST DOCUMENTARY SHORT

“In the Absence,” 

“Learning to Skateboard in a Warzone (If You’re a Girl)” (pictured) 

“Life Overtakes Me,” 

“St. Louis Superman,” 

“Walk Run Cha-Cha”

Netflix

BEST LIVE-ACTION SHORT

“Brotherhood,” 

“Nefta Football Club” (pictured) 

“The Neighbors’ Window,” 

“Saria,” 

“A Sister” 

Mubi